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What are some non-parallel uses of も (mo) in Japanese?

By: Mayumi Ito

Though the Japanese particle transcribed mo is most often used like “also” or “too,” to express a parallel or similarity between two elements of a sentence, it can sometimes also have other uses. It can be used to express emphasis or surprise, to express emotion, or even to create and derive a range of expressions.

Emphasis:
この森は昔から少し変わっていない。
Transcription: Kono mura wa mukashi kara sukoshi mo kawatte inai.
Translation: This forest hasn’t changed even a little since long ago.
emphasizes that the extent to which the forest hasn’t changed is surprising.
Emotion:
この車ずいぶん古くなったなあ。
Transcription: Kono kuruma mo zuibun furuku natta nā.
Translation: (Wow!) This car of mine has become pretty old, hasn’t it?!
expresses strong feelings about something changing.
Derived expression:
大丈夫。もうどこ痛くない。
Transcription: Daijōbu. Mō doko mo itakunai.
Translation: I’m OK. It doesn’t hurt anywhere at all now.
is combined with どこ transcribed dokomeaning where to create an expression that, depending on the context, might mean “everywhere,” “anywhere,” or “nowhere.”

In this post, we’ll talk about some of these other uses of transcribed mo. We’ll see how it can be used to add emphasis, express feelings like surprise or nostalgia, and derive set expressions with entirely new meanings and functions. How can such a small word as do all this? Let’s find out!

Emphasis: When does も (mo) mean “even”?

In Japanese, the particle transcribed mo can be used to convey a speaker’s sense of surprise or amazement that something is actually the case. In this use, it is often translated as “even.” You might hear this usage when something goes above and beyond expectations.

サラさんは耳がいい。一度聞いただけで、難しい日本語もぐ覚える。
Transcription: Sara san wa mimi ga ii. Ichido kiita dake de, muzukashii Nihongo mo sugu oboeru.
Translation: Sarah has a good ear (for language). After listening to them only once, she instantly learns even difficult Japanese (words).
The speaker is expressing that the fact she can pronounce difficult words is surprising and goes above and beyond expectations.

Though this is done for emphasis, you can see that there is some connection to parallel structure here if you think of it as an implied “not only [expectation] but even [reality].” So you can think of the sentence above as meaning something like:

She can instantly learn (not only simple words, but) even difficult ones!

Sometimes, whether we translate an instance of transcribed mo as providing a parallel (“also”) or providing emphasis (“even”) is really just a matter of interpretation and context. Let’s say we’re talking about my student Chun. I tell you that she is an amazing student. She can speak very well and in grammatically correct sentences. Then I tell you:

チュンさんは難しい漢字すらすら書ける。
Transcription: Chun san wa muzukashii kanji mo surasura kakeru.

The sentence has two possible interpretations, depending on how surprising you think this skill is.

  1. If she is a very advanced student, her ability to use kanji might be praiseworthy but not surprising. In that case, the kanji are just part of the list of skills Chun has, so you’d translate it as:

    Chun can also write difficult kanji with ease.
  2. If she is a lower-level student, her ability to write kanji might be considered more exceptional. This skill goes above and beyond what we’d expect from even a good student. In this case, you’d translate transcribed mo as “even” instead:

    Chun can write even difficult kanji with ease.

As you see, whether a particular is used as a similarity marker or as an emphasis marker depends on the whole context surrounding the sentence. In everyday conversations or in writing, a sentence generally doesn’t exist on its own. Try to understand what you hear or read and see which role fits the best for the particular !

Emotion: When to use も (mo) with verbs of change?

In sentences that describe some kind of change, we can use to implicitly communicate our strong feelings about the change. This use is hard to translate into English, but you might use it in a context where you would start your sentence with “Wow!” or “My goodness!” or “It’s hard to believe that…”

Let’s look at an example:

腕白小僧だった弟、今日から社会人だ。
Transcription: Wanpaku kozō datta otōto mo, kyō kara shakaijin da.
Translation: (Wow,) my younger brother, who was such a naughty little boy, is going to be a working adult starting today.

The sentence above discusses a change in the younger brother: from naughty little boy to working adult. By adding transcribed mo after the changing noun (the younger brother), his sister communicates she has strong feelings about this change. Perhaps she is feeling nostalgic, proud, or just amazed.

Derivation: How to use も (mo) to create expressions with new meanings and functions?

Sometimes transcribed mo is added to a base word to create a new descriptive expression in ways that aren’t really connected with emphasis or with parallel structure:

  • Question word + transcribed mo → creates words like “everywhere,” “anywhere,” or “nowhere.”

  • Adjective + transcribed mo → often creates set phrases that act as adverbs

Let’s look at each pattern!

Creating quantifiers: When to use a question word + も (mo)?

When you add transcribed mo to a question word like いつ transcribed itsumeaning when or どこ transcribed dokumeaning where it creates an expression with an all or nothing meaning like “everywhere,” “anywhere,” or “nowhere.” The meaning of these words depends on the type of sentence you create:

  • In an affirmative sentence you get the “all” meaning. Usually these are words that begin with “all” or “every,” like “everything,” “always,” “everywhere,” or “everyone.”

    • ジョンさんはいつ元気だ。
      Transcription: Jon san wa itsumo genki da.
      Translation: John is always full of energy.
    • 週末はどこ観光客でいっぱいだ。
      Transcription: Shūmatsu wa doko mo kankōkyaku de ippai da.
      Translation: During the weekend, we see swarms of tourists everywhere.
  • In a negative sentence we use words like “never” or “nowhere” or phrases like “anywhere at all” or “any time at all.”

    negative verb
    姉はいつ朝ごはんを食べない
    Transcription: Ane wa itsumo asagohan o tabenai.
    Translation: My elder sister never eats breakfast.
    Literally: My elder sister doesn’t eat breakfast any time at all.
    大丈夫。もうどこ痛くない
    Transcription: Daijōbu. Mō doko mo itakunai.
    Translation: I’m OK. It doesn’t hurt anywhere at all now.

    Notice, though, that to achieve negative meanings like “never” or “nowhere,” the question word + transcribed mo must always be used with a negative verb. It is the verb that makes the sentence negative!

Check out this table of question word + transcribed mo examples for more such combinations!

What if the question word is marked by other particles?

What if you want to use a particle like transcribed ni, transcribed e, transcribed de, transcribed to, or から transcribed kara to mark a word meaning “everyone” or “nowhere”? What should you do?

  • In a negative sentence, you just place the other particle before transcribed mo. For example:

    • だれ
      Transcription: dare to mo
      Translation: (not) with anyone
    • どこ
      Transcription: doko ni mo
      Translation: (not) in any place
  • However, in an affirmative sentence, you can’t do this. If you want to use a second particle, like , to mark a word meaning “everyone,” you’ll need to replace transcribed mo with another particle: でも transcribed demo.

    Unlike transcribed mo, particle でも transcribed demo can be used after other particles in a positive sentence, and it produces an expression with the same basic meaning as question word + transcribed mo:

    • だれでも
      Transcription: dare to demo
      Translation: with everyone
    • どこでも
      Transcription: doko e demo
      Translation: to everywhere

Creating adverbs: What are some set phrases with adjective + も?

We can also add transcribed mo to certain adjectives to create set phrases that act like adverbs in a sentence. Such adverb phrases tend to express personal opinions or communicate how we view a certain fact.

  • 悲しい
    Transcription: kanashii
    Translation: sad
    悲し
    Transcription: kanashiku mo
    Translation: sadly
  • 畏れ多い
    Transcription: osoreōi
    Translation: venerable
    畏れ多
    Transcription: osore ōku mo
    Translation: gracious enough to…
  • 幸運(な)
    Transcription: kōun(na)
    Translation: lucky
    幸運
    Transcription: kōun ni mo
    Translation: luckily
  • 意外(な)
    Transcription: igai(na)
    Translation: surprising, unexpected
    意外
    Transcription: igai ni mo
    Translation: surprisingly, unexpectedly

Notice that there are generally slight changes to the adjective stem as well, which may or may not be the same changes that are generally required when parallel transcribed mo is used after an adjective.

Here’s an example of how one of these adverb phrases is used in a sentence:

駅で財布をなくしたが、幸運にだれかが拾って交番に届けてくれた。
Transcription: Eki de saifu o nakushita ga, kōun ni mo dareka ga hirotte kōban ni todokete kureta.
Translation: I lost my wallet at the station, but luckily someone picked it up and took it to the police box.

To Sum Up

In this post, we’ve covered three cases where transcribed mo does not mean “also” or “too”:

  1. When it’s used to express emphasis or surprise → here it means “even”

  2. When it’s used to express emotion about a change → here it means something like “wow” or “I can’t believe…”

  3. When it’s used to derive new expressions, including…

    • “all” or “nothing” expressions → question word +

    • adverbial expressions → certain adjectives +

Ready to practice these uses of ? Check out these non-parallel uses of exercises or, continue learning with one of the posts in the box below.

Meet the Author

Mayumi Ito

Mayumi Ito

A former university Japanese instructor with MAs in English and education, Mayumi has worked on various Mango Japanese projects since 2008.

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